Rembrandt - Eine Monografie (German Edition)

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Magnifica prova, ricca di toni, impressa su carta vergata coeva con filigrana descritta da Hinterding come tipica di questa tiratura, rifilata al rame, in perfetti stato di conservazione. L opera raffigura l episodio narrato negli Atti degli apostoli. Uno storpio, un mendicante cencioso, siede a terra e protende la mano per ricevere l elemosina nei pressi della porta del tempio.

Musée Jenisch Vevey - Publishing

Magnifico esemplare. Etching and drypoint, , signed and dated at lower center. Example of the fourth state. A very rich impression, printed with tone on contemporary laid paper with the usual watermark for this state Hinterding p. The work depicts the episode narrated in the Acts of the Apostles. A cripple, a ragged beggar, sitting on the floor and stretches out his hand for alms near the temple door.

Peter leverage over him his hands in a gesture of blessing, John is with him and gather around them a small crowd of onlookers. This was one of the first cases of healing operated by Peter and led to the first confrontation between the apostles and the Jewish priests. Magnificent example.

Hinterding, Rembrandt asan etcher, p. More information about this seller Contact this seller 2.

Acquaforte e puntasecca, , datata e firmata in lastra, in basso verso il centro "Rembrandt F ". Esemplare nel terzo esempalre di sei, dopo l intensificazione del tratteggio verticale in alto verso destra, prima dell ombreggiatura nell angolo inferiore sinistro. Splendida prova, stampata su carta vergata coeva, completa oltre la linea del rame, in ottimo stato di conservazione. Etching and drypoint, , dated and signed on plate Rembrand F ".

Example of third state, of six.

Magnificent example, printed on contemporary laid paper, thin margins, excellent condition. Seller Inventory S More information about this seller Contact this seller 3.


  • ISBN 13: 9783864448553.
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Acquaforte, firmata e datata in lastra al centro: "Rembrandt f. Stato finale, dopo i ritocchi nell area chiara alle spalle della donna. Conosciuta anche con il titolo "Il Maestro di scuola". Magnifico esemplare, impresso su carta vergata coeva, con sottili margini di circa 2mm, in perfetto stato di conservazione. Al verso, timbro di collezione non identificato, catalogato dal Lugt col numero b.

Etching, lettered with Rembrandt's signature and date, at centre: "Rembrandt f. Final state, re-worked. Magnificient impression, on contemporary laid paper, thin margins of around 2mm, in excellent condition. On verso, unidentified collector s mark Lugt b. I Rembrandt ; Hind I 67 96mm. More information about this seller Contact this seller 4. Acquaforte, firmata e datata in lastra in basso a destra "Rembrandt.

Esemplare nel secondo stato finale, con linee aggiunte a bulino nell acqua e nell argine, in basso a destra. Splendida prova, impressa su carta vergata, rifilata ai margini ma completa della linea del rame, in ottimo stato di conservazione. Dopo che Filippo spiega le Scritture, l'eunuco gli chiede di ricevere il battesimo.

Etching, signed and dated "Rembrandt. Example of second final state, with further shading added to the waterfall and the bank on the right, with the burin. Good example printed on laid paper, trimmed close to the platemark, in excellent condition. After the painting executed in , Rembrandt reprised the Eunuch theme; Acts tells the story of the apostle Philip and his encounter with an African eunuch on the road from Jerusalem to Gaza.

The eunuch, supervisor of the treasury of the queen of Ethiopia, is returning from a visit to the holy city and is engrossed in reading the prophet Isaiah. Philip explains the scriptures, convincing the eunuch that Jesus is indeed the Son of God. The latter then asks to be baptised, a request the apostle fulfils. More information about this seller Contact this seller 5. Published by S. XIXe , S. About this Item: S. Mesures : Haut. La date suit, quand il y a lieu. Peinture, Gravure, Beaux-arts, Hollande. More information about this seller Contact this seller 6.

Er gilt auf seinem Gebiet als ein Meister des friderizianischen Rokokos. Schlagworte: Grafik - vor Judaica. More information about this seller Contact this seller 7. Published by Dover Publications, Incorporated.


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  5. Wetering, Ernst van de [WorldCat Identities].
  6. Wetering, Ernst van de 1938-.
  7. About this Item: Dover Publications, Incorporated. Condition: Good. A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions.

    Seller Inventory GI3N More information about this seller Contact this seller 8. Umfassendes Werkverzeichnis von Rembrandts Graphiken. Insgesamt ordentliches Exemplar. More information about this seller Contact this seller 9. From: Antiquariat Hardner Dresden, Germany. About this Item: Radierung.

    Translation of «Monografie» into 25 languages

    Seitenverkehrter Druck nach der Originalradierung um Vgl. Seidlitz B More information about this seller Contact this seller Published by Belser, Belser About this Item: Belser, Belser, Condition: gut. Eine gemalte Autobiographie. In deutscher Sprache. Seller Inventory BN Ein Zusammentreffen der besonderen Art! Anhand brillanter Farbabbildungen wird erlebbar, wie begnadet die beiden Meister ihre Stilmittel einsetztenbetont Caravaggio die dramatische Zuspitzung der Handlung im Bild, verwendet Rembrandt das Spiel von Hell-Dunkel insbesondere zum Ausdruck der tiefen Emotionen seiner Figuren.

    Leineneinband ohne OU. Zusammen mit der Passionsgeschichte Christi bilden sie die Hauptthemen christlicher Kunst.

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    Doch waren es nicht immer nur diese biblischen Geschichten, die Maler, Bildhauer und Graveure zu ihren Werken anregten. ISBN: Band 4: Die Patriarchen. Published by Taschen Verlag Jul From: BuchWeltWeit Inh. Ludwig Meier e. Bergisch Gladbach, Germany. About this Item: Taschen Verlag Jul , Condition: Neu. Rembrandt Harmensz. Beeindruckend ist vor allem Rembrandts Lichtregie. Aus Anlass des Published by Aurora Art Publishers About this Item: Aurora Art Publishers, Condition: New.

    Ships with Tracking Number! Buy with confidence, excellent customer service!. Seller Inventory n. Oriens Extremus 22 1 : 29— New York: W. Matthew Stewart : "[When Leibniz and Spinoza met in The Hague in ] The encounter between the two greatest philosophers of the seventeenth century in fact extended over several days. From a letter Leibniz posted to the Duke of Hanover's secretary from Holland, it is possible to infer that the courtier arrived in The Hague on or before November 18 and remained for at least three days and possibly as much as one week.

    Leibniz later told his Parisian friend Gallois that he had conversed with Spinoza "many times and at great length".

    Rembrandt by Emil Waldmann

    New York: Oxford University Press, Before visiting Holland, Leibniz lived for a while in Paris, where he met Baron Ehrenfried Walter von Tschirnhaus , one of Spinoza's most acute correspondents. L'immagine di Spinoza in Germania da Leibniz a Marx. And besides, one could certainly maintain that Mr. Schelling borrowed more from Spinoza than Hegel borrowed from Schelling.

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    If Spinoza is some day liberated from his rigid, antiquated Cartesian, mathematical form and made accessible to a large public, we shall perhaps see that he, more than any other, might complain about the theft of ideas. Here we come to the main point of the German Philosophy of Identity, which in essence differs in no way from the doctrine of Spinoza. No matter how violently Mr. Schelling may protest that his philosophy is different from Spinozism, that it is rather "a living amalgam of the ideal and the real," that it differs from Spinozism "as the perfection of Greek sculpture differs from the rigid Egyptian originals," nevertheless I must declare most emphatically that in his earlier period, when he was still a philosopher, Mr.

    Schelling did not differ in the slightest from Spinoza.