Hier ist England! - Der deutsche Dienst der BBC im Dritten Reich (German Edition)

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Sketching prohibited! Military interdictions of drawing and artistic practice in European history from Early Modern times to the present The prohibition of drawing, referring to topographies or architecture, has rarely been a topic of art history or visual studies, although it can be accounted for in Europe since the 16th century.

But such interdictions prove the power that was ascribed to on site-drawings. They were decreed to impede military espionage, in reaction to the practice of producing, collecting and storing not only maps, but also images of the landscapes, cities, fortifications, and harbours of potential enemies, in order to be used in case of a military conflict. It can be assumed that these military restrictions of civilian artistic practices not only shaped those historic representations of land- and cityscapes and of architecture that exist in collections and archives today, but that they also shaped artistic practices of drawing on the spot.

While early examples of prohibitions of drawing seem to have been issued more locally, they can be found in national laws since the 19th century. Through a more precise knowledge of military interdictions of drawing, a new assessment of the role and power that were historically ascribed to visual representations of architectures and topographies will be possible. The effect of these interdictions can then be investigated on the basis of historical views of exemplary places that were affected by such restrictions.

New insights into the historical perception of landscape, cities and buildings can be expected.

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Host: Dr. Clarkson at Harper's Magazine. London Das Resultat ist ein dreifaches:. Dazu kommen aber auch die eigenen Zweifel, Unsicherheiten, Bedenken des Zeichnenden. Am The award is intended to encourage new, existing and emerging talent and projects in the area of reportage and documentary drawing. At the beginning of the 20th century, the Paris-based Czech artist Frantisek Kupka published some furious pictorial attacks against a prevailing mixture of unrestrained greed for profit, of militarism and imperialism; an explosive, which was mostly religious legitimized.

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His commented cycle "Religions" appeared in in the anarchist magazine "Assiette au beurre". Dienstag, The second part of the conference on the topicallity, history and practice of the art of illustration gathers lectures by Mr. Tuesday, Im zweiten Teil der Interludes werden zum einen aktuelle Positionen an der Schnittstelle von Animation, Narration, Illustration und Zeichnung vorgestellt, zum anderen die Frage gestellt, ob nicht nahezu jede Animation eine Illustration ist, wenn es um die Visualisierung von Geschichte, Geschichten und Information geht.

Wo sind die Grenzen der Adaption? Welche Rolle spielen Storyboards, welche textliche Vorlagen? Arbeiten bzw. Wohl zu keiner Zeit gab es mehr Bilder als heute. Im Gegenteil traut man den Bildern gemeinhin wenig zu. Besonders wo es um die Vermittlung inhaltlich anspruchsvoller Inhalte geht, gelten sie wenig. In der Vormoderne glaubte man an die Macht der Bilder. Bilder wurden nicht nur als visuelles Argument eingesetzt, sondern im Sinne einer visuellen Argumentation.

Bingo: Mr. Bingo will talk about stuff that interests him, like social networking, revenge, turning silly ideas into real things, bad art, swiss rolls, childhood drawings and crowd sourced rap.

Bernd Schillen: "Hier ist England"

Bingo might sing a song about the internet, he might do some rapping, he might read a poem about animals, and it's highly likely that he will make up some stuff on the day. His infamous Hate Mail project, where fans paid a small sum for their own hand-drawn postcard of verbal abuse, gained him such popularity that he was forced to limit sales in order to keep up with overwhelming demand.

This collection of works has since been compiled by Penguin into a bestselling book of the same name. Alongside all this funny business, Mr Bingo has been commissioned by some serious clients and his illustrations feature regularly in publications such as TIME, Esquire and The New Yorker.

Zeichnen ist ein Teil von Sprache. Nach seinem Studium arbeitete er als freischaffender Illustrator. British illustrator and author Marion Deuchars works with major design and advertising agencies, publishes illustrated children's books and has created a globally recognised style of hand-lettering. Alexander Roob: Geladen.

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Gegen-Kunst von Hogarth bis Le Petit. Die Karikatur war neben der Fotografie das fortschrittlichste und folgenreichste bildnerische Medium des langen Caricare ital. Auch die Entwicklung des kritischen Sozialrealismus in der Kunst fand unter dem breiten Dach der Karikatur ihren Ausgang.

Concluding Panel Discussion with Patrick Thomas. Patrick Thomas studied graphic design at Central Saint Martins School of Art and visual communication at the Royal College of Art in London before relocating to Barcelona where he founded Studio laVista in , a multidisciplinary art space, silkscreen press and his main archive. He is currently based in Berlin and works between there, London and Barcelona.

Glenn Greenwald has piped up in the light of the Charlie Hebdo Massacre. The lawyer and journalist, who became famous for his crucial role in the global surveillance disclosures, wrote a furious plea for an unrestricted freedom of press in his online magazine The Intercept. In his well worth readable contribution he accuses the Western media in the case of a right to blasphemy of partinsanship.

He contradicts the widespread view that the cartoonists at Charlie Hebdo were equal opportunity offenders. Carlos Latuff Source: The Intercept. Anti-Islam and anti-Muslim commentary and cartoons are a dime a dozen in western media outlets; the taboo that is at least as strong, if not more so, are anti-Jewish images and words.

Zur Veranschaulichung zog der Papst daraufhin Parallelen zu seiner Mutter. Gasbarri, mein lieber Freund, meine Mutter beleidigt, erwartet ihn ein Faustschlag. Sein Aufruf zur Vertreibung der triumphierenden Bestie ist nach wie vor aktuell. His commented cycle " Religions" appeared in in the magazine "Assiette au beurre". Seine kommentierte Bildfolge "Religions" war erschienen. Allah is Allah and Muhammad his Prophet. He knew how to secure his existence by promising all pleasures to those who die while eliminating the infidels About what you think about this, you know, you are a major cartoonist, and you live in France.

I spent a lot of time thinking about it. But, me? I gotta like, you know, when I do something, it has to be more personal. I have to, like, make fun of myself. So instead of drawing the face of Muhammed, I drew the ass of Muhammed. Robert Crumb in conversation with Celia Farber, In February "Charlie Hebdo" was among the few papers, which avowed "Je suis Jyllands-Posten" and courageously decided to reprint the excommunicated Muhammad cartoons of the Danish journal.

A month later the cartoon magazine published the much disputed manifest of twelve noted writers against Islamism, among them Salman Rushdie and Philippe Val, the former chief editor of "Charlie Hebdo". The bottom line: Zero tolerance towards any kind of totalitarism. Here is the text in full:. We, writers, journalists, intellectuals, call for resistance to religious totalitarianism and for the promotion of freedom, equal opportunity and secular values for all.

Recent events, prompted by the publication of drawings of Muhammad in European newspapers, have revealed the necessity of the struggle for these universal values. It is not a clash of civilisations nor an antagonism between West and East that we are witnessing, but a global struggle that confronts democrats and theocrats. Preachers of hatred play on these feelings to build the forces with which they can impose a world where liberty is crushed and inequality reigns.

But we say this, loud and clear: nothing, not even despair, justifies choosing darkness, totalitarianism and hatred. Islamism is a reactionary ideology that kills equality, freedom and secularism wherever it is present. Its victory can only lead to a world of injustice and domination: men over women, fundamentalists over others.

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On the contrary, we must ensure access to universal rights for the oppressed or those discriminated against. We reject the cultural relativism which implies an acceptance that men and women of Muslim culture are deprived of the right to equality, freedom and secularism in the name of the respect for certain cultures and traditions.

We refuse to renounce our critical spirit out of fear of being accused of Islamophobia , a wretched concept that confuses criticism of Islam as a religion and stigmatisation of those who believe in it. We defend the universality of the freedom of expression, so that a critical spirit can exist in every continent, towards each and every maltreatment and dogma. We appeal to democrats and free spirits in every country that our century may be one of light and not dark. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today.

I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity.


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Charb in Charlie Hebdo, 7. David Pope: He drew first, 8.


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Banksy, 8. The new theocratic fascism has struck the culture of enlightenment at its traditional artistic core. Charb in September The fight goes on It might sound a bit pompous, but I'd prefer to die on my feet rather than living on my knees. Some of them became masters of pictorial mass choreography and cataclysmic sceneries.

Comic reporting flourishes. Illustrators are increasingly commissioned by newspapers, magazines or NGOs to areas of conflict or to other places of special interest. This kind of journalism is slow, but has depth and is reflectiv because the rather long processing time prevents their authors from drawing hasty conclusions. The exhibition by Joost Pollmann gives an overview of the various aspects of reportage drawing, graphic journalism, observational documentary illustration and cartooning.

Olivier Kugler: Refugee Camp Source: persmuseum. Het persmuseum Amsterdam, 16 december to 1 March Jan Rothuizen: Refugee Republic source: refugeerepublic.

web.difccourts.ae/la-emigracin-castellano-leonesa-a-brasil.php Jan Rothuizen: Refugee Republic, detail source: refugeerepublic. Das Illustrationsprojekt Black. Es besteht in einer offenen und variationsreichen Fusion von Bild-und Textdokumenten des Kriegsfotografen Wolf Boewig und des Reiseschrifstellers Pedro Rosa Mendes mit den grafischen Improvisationen einer Reihe namhafter internationaler Comiczeichner.

The first part of the interdisciplinary conference on the topicallity, history and practice of the art of illustration gathers lectures by Holger Bunk, DB Dowd, Michael Glasmeier, Alexander Roob, Ariane Spanier, Patrick Thomas and an intermediary schedule of animated films, curated by Ulrich Wegenast.

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Wie wirkt sich der performative und prozessuale Akt des Zeichnens auf das Bild aus? The word is variously used to refer to particular images, creative practices, and economies of picture-making. This session will seek to locate illustration in a taxonomic framework with its sister form, cartooning. Formal impulses will be shown to align with cultural imperatives.

Patrick Thomas: The printed image: A democratic art Having made images for the International Press for twenty years, Patrick Thomas decided in to stop accepting commissions and instead to publish his personal work in the form of silkscreen and woodcut editions.